January 20 to February 24 2012

Amélie Brisson-Darveau

Une garde-robe pour mon ombre

Galerie Leonard et Bina Ellen his : Paul Litherland

Galerie Sans Nom invites you to its first exhibition opening of 2012! Come contemplate three unique shows: the creations of Amélie Brisson-Darveau, Une garde-robe pour mon ombre in Galerie Sans Nom; curator Mireille Bourgeois’ project, My precious Novella in the Espace Audio/Vidéo; and déconstruction imagée presented in Salle Sans Sous by Université de Moncton photography students. In addition until April 27th, the Aberdeen Cultural Center will present: La visite des États an exhibition of works from artist-painter Yvon Gallant. From Moncton, Yvon Gallant’s career spans 40 years with over 80 exhibitions; he just recently received the Lieutenant Governor’s Award for Excellence in Visual Arts.


Galerie Sans Nom - Amélie Brisson-Darveau presents: Une garde-robe pour mon ombre, an installation of lights and linen clothing hand made from patterns created for the artist’s shadow. These articles of clothing are installed on the floor, thus tracing the residue of these past shadows. The public is encouraged to position themselves in such a way as to cast their own shadows upon the clothing in an attempt to “try on the outfits”. Since the costumes are improbable and impractical, their usefulness can only exist within the spectator’s imaginary space. Having completed her Master’s Degree in the Fiber Arts department at Concordia University, Brisson-Darveau is interested in the way humans mark their presence in relationship to their environment. She uses fabrics and fibers as materials and metaphors in the imagining of various dimensions of human relationships. She questions identity, the social environment, the occupation of space and movement. Her work has shown in several exhibitions throughout Canada, as well as in Europe. She lives and works between Canada and Switzerland.


This exhibition opens at 7pm on Friday, January 20th (following Yvon Gallant’s opening taking place on the second floor of the Aberdeen Cultural Center between 5 and 7pm). The evening includes artist talks at 7:30 pm. The show will be up until February 24th 2012.


Espace Audio/Vidéo - My precious Novella, by curator Mireille Bourgeois, is a screening of video shorts that considers the novella as a framework for Canadian artists who break the form of narrative self-expression, by creating a world of disjointed, false, or broken personal accounts. This compilation provides a platform for artworks that use non-linear language as a way of constructing an intimate parable, ranging from shorts that show memories as dreams, use humor as a tool of deflection, or that invite the audience on an inconsequential meandering while the consequential goes unsaid.


Salle Sans Sous - A challenge was given to five photography students: to collaborate on a project. After a few brainstorming sessions, emerging artists: Alisa Arsenault, Christine Pitre, Françoise Morin, Renée-Claude Marquis and Valérie Aucoin Laflamme took two images with respect to each of their individual creative processes and afterwards chose one that best fits the group project’s theme. Thus creating a unique silver print photography ensemble with the incorporation of their colleague’s images. One rule: to integrate their own image, without modifications to the final product. The results: déconstrution imagée; five very different works, created using the same five images, linked together by each artist’s own sense of photographic practice.



December 9 to January 6 2012

2011 ENDS WITH A BANG

AT GALERIE SANS NOM’S MEMBERS’ SHOW
& CLOTHING SALE!

Credits : Maryse Arseneault

Galerie Sans Nom invites you to the opening of an exhibition entirely dedicated to its members: Le fil conducteur. It has been years since GSN showcased a member’s show & sale in its program. Open to all artistic disciplines, this exhibition explores the theme of the “conducting thread” through the talent of the multitude of artists who are presently members of the Galerie Sans Nom. This soirée will also launch our new fundraising campaign, an initiative that promises to entice curiosity and offer great entertainment. Complete with a DJ and a VJ, the evening will be jam packed with several activities such as: Hardes célèbres, a silent auction of celebrity artist clothing; a vintage/used clothing sale complete with changing rooms and charming fashion consultants; a photography studio to capture your fashionable look; new (limited edition) GSN merchandise as well as draws for raffles containing quality prizes generously donated by local businesses. So, dress up in “that fancy outfit you never get to wear” and come spend an evening surrounded by art and clothing of all kinds! The opening reception and all its activities will kick off on the evening of December 9, as of 7 PM. The shows will stay up until January 6, 2012.


Galerie Sans Nom - The Galerie Sans Nom holds a member’ show and sale. The space includes works by several 2011-2012 members of the GSN. Discover local talent varying from emerging to professional artists.


L’Espace Audio/Vidéo - In tune with the members’ show, l’Espace Audio/Vidéo is also set to showcase audio/video works from GSN members.


Salle Sans Sous - A silent auction dubbed Hardes célèbres will take place in the Salle Sans Sous. Its walls will be covered by a collection of different articles of clothing that vary from fancy blazers to plaid pajamas. This “famous clothing” was donated by some of the region’s better-known artists: Herménégilde Chiasson, Paul Édouard Bourque, Anne-Marie Sirois, Roméo Savoie and Mario Doucette, just to name a few. The idea is to place bids on the article of your choice in order to win an artist’s “classic” piece of wardrobe!


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Mandate


Galerie Sans Nom’s activities are governed by its mandate to provide the services of a parallel or alternative gallery, and to exhibit multidisciplinary and experimental contemporary art.

In its programming, GSN abides by the general orientation outlined below.

  • • Presenting locally relevant exhibitions or events that reflect contemporary artistic trends on the national scene;
  • • Broadening the audience for contemporary artistic practices and increasing public’s knowledge and appreciation;
  • • Supporting the development of new trends in visual arts by encouraging and contributing to a critical discourse;
  • • Supporting the artistic process of its members, both professional and emerging artists, and facilitating the presentation of their work;
  • • Encouraging and supporting the development of a local cultural scene, especially through collaborative projects in various disciplines;
  • • Facilitating exchanges and collaborations at the local and national levels;
  • • Actively listening to members and the community and meeting their various needs;
  • • Promoting a creative and dynamic work environment and providing proper administrative and financial management of the organization to ensure its sustainability.

History


Galerie Sans Nom (GSN) was created in 1977, amidst controversy. Graduating students at Université de Moncton’s Department of Visual Arts had been denied an exhibition by the administration, who felt the proposed content was inappropriate. GSN was thus created to reflect trends that did not fit elsewhere. On November 13, 1979, GSN was officially established as a cooperative. It filled a pressing void and became a laboratory for the exploration of all disciplines of contemporary visual arts. Salle Sans Sous (penniless room) was created in 1982, allowing GSN to also support and exhibit the work of emerging artists.

As the single Acadian infrastructure dedicated to presenting Canadian contemporary art, GSN is now responsible for three exhibition spaces and its programming includes new practices in various disciplines including visual arts and media arts.

Over the past thirty years, GSN has gained wide recognition by hosting artists from all regions of Canada and from the United States, Latin America, Europe and Japan, as well as presenting Acadian art across the country and abroad through numerous travelling exhibitions, including Expo Quinze, Itinéraire 12 and Géographie du regard, and public art events such as Leurre juste. In its work as a resource centre for contemporary Acadian art production, GSN takes part in large-scale projects and events that contribute to the development of the Acadian community and the advancement of the arts in Canada.

Since the end of the 1980s, GSN has its headquarters at the Aberdeen Cultural Centre, joining some thirty other cultural organizations and artist studios as one of Canada’s most remarkable cooperatives. GSN also cultivates a broader and more diversified audience by organizing exhibitions in non-dedicated settings and in cooperation with other groups. GSN is an avid supporter of artists’ initiatives and is active in a variety of disciplines as it strives to meet the changing needs of a diverse community in a fast-growing urban environment.

Located in Moncton, New Brunswick, GSN has a diverse membership that includes francophone and anglophone artists as well as artist of other cultures, mostly from New Brunswick but also from Quebec, Newfoundland-and-Labrador, Prince Edward Island and Nova Scotia. The centre is particularly concerned with providing support to emerging and next generation artists and ensuring their integration and participation. While its communications are in both official languages, Galerie Sans Nom enhances contemporary francophone and Acadian culture and participates in its presentation at the national level.

GSN is affiliated with associations of artist centres and arts organizations, including AARCA: The Association of Artist-Run Centres from the Atlantic, and the national Association des groupes en arts visuels francophones (AGAVF), to better represent its community on the public scene and at various levels of government.

Structure


Galerie Sans Nom, a non-profit artist-run centre, became a cooperative on November 13, 1979.

Staffing includes a director, a position occupied by Amanda Dawn Christie since October 2010, and a programming coordinator, with Angèle Cormier in this position since November 2004.

The Board of Directors has seven members who are elected at the Annual General Meeting to oversee operations and provide a vision for the centre. Currently, they are:

Samuel LeBlanc, President
André Boudreau, Vice-President
Marie-Thérèse François, Treasurer
Maryse Arseneault, Secretary
Philip André Collette, Advisor
Dominik Robichaud, Advisor
Gisèle Ouellette, Advisor

GSN has approximately sixty members in good standing in three categories: artists (forming a majority of members), students and supporting members.

Become a member!


Being a member of GSN means:


Contributing to the centre’s dynamism and the development of contemporary art programming;
Belonging to a community of artists and having access to the Canadian visual arts network;
Benefitting from artistic support and professional development resources.


Annual fee:

  • Supporting member (20$ +)
  • Artist member (20$)
  • Student member (10$)


Payable by cheque or cash :


Galerie Sans Nom
140, Botsford st, #12B & #16
Moncton, NB E1C 4X5
(506) 854-5381
info@galeriesansnom.org
www.galeriesansnom.org

Galerie Sans Nom is a registered charitable organisation. A receipt is available for donations of $20 or more.

Printable PDF version

Publications


DOUCETTE, Mario (Curator)
Acadie Time: The Works of Pete Goguen (1950-1998)
Moncton, Mario Doucette, 2008, 28 p. (bilingual)
*This publication was not produced by GSN

The exhibition and accompanying catalogue are meant to promote the life and work of Pierre (Pete) Goguen. A print series titled Acadie Time gives the impression that Pete Goguen was amongst the more engaged artists of his period. His silkscreen prints, created in 1975 under the guise of the Time magazine cover layout, seem to demonstrate a commitment to a cause, that of Acadian nationalism. Author and curator Mario Doucette questions whether the works from the Acadie Time series truly reflect the artist’s nationalistic aspirations. And if not, what did he intend?





Subterfuge
IMBEAULT, Nisk (Curator)
Moncton, Galerie Sans Nom, 2008, 24 p. (bilingual)

Supportive of non-conventionnal and experimental artistic initiatives for thirty years, GSN puts forth unique and marginal projects by artists that have worked in New Brunswick. Subterfuge focuses on mechanisms of expression that borders between art and reality, addressing issues concerning the status and role of art and the artist in society, as well as what defines art. This publication is concerned with artist’s work that transgresses the boundaries of the traditional art environment, fitting into a common, day-to-day reality. The exhibition explores the art object that takes the shape of familiar ones. It also presents artistic interventions that blur the distinction between “reality” and the “artificial” nature of art.




Résist’art: Oh My God!
LEBLANC, Samuel, Marie-France BEAUDOIN, Denise LAMONTAGNE
Moncton, Galerie Sans Nom, 2005, 45 p. (bilingual)

Three authors and twelve artists propose their thoughts on the state of religion, more particularly the role of the Catholic Church in our daily, modern, lives. Although art has served the Church and its message for centuries, and the opinion of some who say a work of art can have the same transcendent effect as faith, contemporary art serves above all as a social document.The works brought together here reveal disillusionment towards this institution.




Géographie du regard
SAVOIE, Ginette (Curator), Nisk IMBEAULT (Curator)
Moncton, Galerie Sans Nom, 2004, 25 p. (French)

Géographie du regard (geography of the gaze) is an exhibition, with catalogue, featuring the work of artists working in the four Atlantic provinces, presented during the Festival Interceltique de Lorient held in France in the summer of 2004. The publication contains works by Jacques Arseneault, Gerald Beaulieu, Jennifer Bélanger, George Blanchette, Jean-Denis Boudreau, Joël Boudreau, Paul Édouard Bourque, Luc A. Charette, Commission Gédéon Commission, Angèle Cormier, Lionel Cormier, Mario Doucette, Julie Forgues, Yvon Gallant, François Gaudet, marc xavier leblanc, Mathieu Léger, Alexandre Robichaud, Anne-Marie Sirois and Alan Syliboy. As the title suggests, Géographie du regard proposes the artists’ views on current world issues such as the impact of new technologies, industrialisation, urbanism, and consumerism.




Cause Célèbre, 25 ans à la Galerie Sans Nom 1977-2002
DOUCETTE, Mario
Galerie Sans Nom, 2003, 159 p. (French)

Written in both French and Chiac (Acadian dialect), Cause Célèbre is a publication celebrating the centre’s 25th anniversary, in which volunteers, employees and administrators relate its history. Told through many voices, it tells of GSN’s challenges, successes, misadventures and accomplishments.
Cause Célèbre includes 32 colour reproductions of artworks as well as pictures, fun facts and bios.

Galerie Sans Nom
Aberdeen Cultural Centre
140, Botsford St, #13 & 16
Moncton, NB
E1C 4X5
Tel : 506.854.5381
Fax : 506.857.2064

Business hours : Tuesday to Friday 11am to 5pm
Saturday by apointment


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Warning! : Copyright laws protect the work of artists and it is strictly forbidden to reproduce any of the documentation contained in this site.